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The exception to this rule is any transition that ends with “IN:” For example, “FADE IN:” must be placed at the left action margin.
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- The transitions used most often are “FADE IN:,” “ FADE OUT.” and “DISSOLVE TO:” A common way to lead into a dream sequence, for example, is with the transitional instruction “RIPPLE DISSOLVE TO:” Some other transitions include “WIPE TO:,” “IRIS IN:,” and “IRIS.
“CUT TO:” was once widely used to indicate the end of a contiguous sequence. In other words, when there was a break in time and/or space, screenwriters would indicate this with “CUT TO:” as a transitional instruction. That practice has fallen out of use, though, and now “CUT TO:” is considered superfluous. Unless otherwise specified, all transitions are cuts.
There is no such thing as a “SMASH CUT.” A cut is a cut. Whether it “smashes” the viewer in the face depends upon what sort of image is in the new scene.
Fade In Scriptwriting
Every transitional instruction must end with a colon. The exception is any transition that ends with “OUT.” For example, “FADE OUT.” ends in a period.
“FADE TO BLACK.” is an archaic term dating from live television. The correct cinematic term is “FADE OUT.”
As illustrated above,the use of “FADE OUT.” in conjunction with “FADE IN:” can be combined as “FADE TO:”, a single instruction that takes up less space.
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Transition
We must begin with this remark: Nowadays, in Spec Scripts, transitions arefrowned upon, a waste of a couple of lines you could better use for brilliantdialogue, and are only used when absolutely necessary.
The Rules:
When you DO use a Transition, the left margin is at 6.5' and a right margin of1.0'. Transitions are formatted in all caps and almost always follow an Actionand precede Scene Headings.
Transitions you may be familiar with are:
- CUT TO:
- DISSOLVE TO:
- QUICK CUT:
- FADE TO:
- FADE OUT (never at the end of the script)
Writing Tip:
The only time to use a Transition in a spec script is if it's integral totelling the story. For instance, you might use a TIME CUT: to indicate passageof time. More commonly, a DISSOLVE TO: indicates that time has passed. Or, youmight need to use MATCH CUT: if you want to illustrate that there is somecorrelation between something we just saw and something in the new scene. Thepoint is, unless you become quite skilled in screenwriting don't use thesethings unless absolutely necessary, because the director of the film willprobably think of something different.
Software Tip:
Most Transitions are already programmed into script writing programs,capitalized and lined up for those rare occasions when you can't resist to useone.
(Remember, the Cut To: will probably be left out in most spec scripts thesedays. What it indicates is a complete change of location.)